Table of Contents

Notes on Contributors 6


Chapter 1 In Search of Mantegna’s Poetics: An Introduction 8
Stephen J. Campbell and Jérémie Koering


Chapter 2 Andrea Mantegna: Painting’s Mediality 22
Klaus Krüger


Chapter 3 Signing Mantegna 54
Daniel Arasse


Chapter 4 Mantegna the Grammarian 76
Guillaume Cassegrain


Chapter 5 Changing Forms: Mantegna’s Poietics in the Camera Picta 94
Jérémie Koering


Chapter 6 Mantegna’s Camera Picta: Visuality and Pathos 114
Stephen J. Campbell


Chapter 7 The Griffin’s Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna’s Trial of St James 134
Andreas Hauser


Chapter 8 Artifice and Stability in Late Mantegna 152
Andrea Bolland


Chapter 9 Mantegna’s Fictive Bronze Judith and Dido: Beyond Exemplarity 176
Francis Fletcher


Chapter 10 A `Pictorial Letter’ to Giuseppe Fiocco 200
Roberto Longhi


Index 225

About the Author

Stephen J. Campbell is a member of the Department of theHistory of Art at Johns Hopkins University. His most recent book isArt in Italy 1400-1600, co-authored with Michael Cole(2011). Jeremie Koering is a Research Associate at theCentre Andre Chastel. His books include Leonard deVinci (2007) and Le prince en representation(2013).

Reviews

UK/ROW Art Monthly The Art Quarterly Art History British Art Journal Journal of the History of Collections RA Magazine: Royal Academy of Arts North America American Arts Quarterly Arts Review