List of illustrations Notes on contributors Preface 1. Introduction Susan Harrow Thinking the Visual Image 2. Jules Verne: The Unbearable Brightness of Seeing Timothy Unwin 3. Affinities of Photography and Syntax in Proust's A la recherche du temps perdu Aine Larkin 4. Portraits and Neologisms: Understanding the Visual in Henri Michaux's 'Voyage en Grande Garabagne' Nina Parish 5. Into the 'trou noir': Visualizations of Nihilism in Nietzsche and Modiano Jenny Devine Intermedial Migrations in the 1920s 6. Painting and Cinema in Aragon's Anicet Katherine Shingler 7. Isotypes and Elephants: Picture Language as Visual Writing in Otto Neurath Michelle Henning 8. Colette : An Eye for Textiles Anne Freadman 9. Stars as Sculpture in the 1920s Fan-Magazine Interview Michael Williams Visual Negotiations and Adaptations 10. Victor Hugo and Painting: The Exceptional Case of the Orientales Karen Quandt 11. Visions and Re-visions: Zola, Cardinal and L'Aiuvre Kate Griffiths 12. Donner a voir: Poetic Language and Visual Representation according to Paul Eluard Peter Hawkins 13. A Heteromedial Analysis of Chantal Akerman's Proust Adaptation Jorgen Bruhn
Susan Harrow is Ashley Watkins Professor of French at the University of Bristol. Her research interests lie in modern poetry and narrative, and in the interrelation of literary modernism and visual culture. She is the author of books on modern French poetry and narrative.
"The Art of the Text is a rich and well-conceived collection of
essays that, by virtue of the coherence of the vision underpinning
the volume and the range of topics, genre, and media that it
addresses, makes a distinctive and valuable contribution to word
and image studies."--Jean J. Duffy, University of Edinburgh
"How do writers think visually? How do readers respond visually to
the written word? This exciting volume offers fresh insights within
the rapidly evolving field of visual culture studies by pinpointing
an important but as of yet underdeveloped area: the visuality of
text. Drawing on a wide spectrum of practices, each affording a
compelling instance of cross-fertilization between the written and
the visual, the volume assembles wonderful close readings of
important experimental works. Twelve international experts show how
canonical creators have been inspired by thinking between the
written word and a range of visual phenomena related to
photography, textile, cinema, television, sculpture, painting,
portraits, Isotype symbols, colors, lights, and black holes. The
Art of the Text deserves a place on the bookshelves of anyone
interested in intermedial adventure."--Shirley Jordan, Queen Mary,
University of London
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