This is Vol. 2 of the biography of the legendary midcentury cartoonist, who created the comically grotesque "Lena the Hyena."
This volume continues Sadowski's biography of the famed Mad cartoonist. It includes scores of letters between Wolverton and his editors and publishers and excerpts from his personal diaries, providing documentary insight not only into Wolverton's day-to-day life and career, but also the inner workings of the early comic book industry. It is also chock full of Wolverton's comics stories from this period, including 17 science-fiction and horror tales fully restored and never before collected in a single volume. Full-color illustrations throughout.
This is Vol. 2 of the biography of the legendary midcentury cartoonist, who created the comically grotesque "Lena the Hyena."
This volume continues Sadowski's biography of the famed Mad cartoonist. It includes scores of letters between Wolverton and his editors and publishers and excerpts from his personal diaries, providing documentary insight not only into Wolverton's day-to-day life and career, but also the inner workings of the early comic book industry. It is also chock full of Wolverton's comics stories from this period, including 17 science-fiction and horror tales fully restored and never before collected in a single volume. Full-color illustrations throughout.
Greg Sadowski is a writer, editor and designer (B. Krigstein,
Supermen!, Four Color Fear, Setting the Standard: Alex Toth;
Action! Mystery! Thrills!) living in Washington State.
Basil Wolverton was born near Medford, Oregon in 1909 and
died in 1978. His Fantagraphics-published books include Basil
Wolverton's Culture Corner and The Wolverton Bible, and his work is
featured in Supermen!: The First Wave of Comic Book Heroes
1936-1941.
"Basil [Wolverton] was one of the most original, unpredictable
talents in the field. His style was unique and virtually
inimitable, and I've never known anyone who didn't get a real kick
out of Basil's far-out artwork."--Stan Lee
"It's remarkable to see art so twisted applied to such vivid pulp
tales, almost as though Wolverton was trying his hardest to be Alex
Raymond, but couldn't help turning out images to rival Salvador
Dalí."-- "The A.V. Club"
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