List of Illustrations Acknowledgements Foreword Notes on Contributors Introduction Towards a “New Materialism” Through the Arts Barbara Bolt DISCOURSE, AFFECT AND MATERIAL INTERVENTIONS Chapter 1 From Double Navel to Particle-Sign: Towards the A-Signifying Work of Painting Katve-Kaisa Kontturi Chapter 2 Metaphors of the Mind: Art Forms as Modes of Thinking and Ways of Being Danielle Boutet Chapter 3 Æffect: Initiating Heuristic life Jondi Keane Chapter 4 Materiality, Affect, and the Aesthetic Image Estelle Barrett THE MATTER OF FILM Chapter 5 The Matter of Film: Decasia and Lyrical Nitrate Nicholas Chare and Liz Watkins Chapter 6 Recovering the Hidden through Found-footage Films Dirk de Bruyn Chapter 7 Moments of Affection: Jayce Salloum’s everything and nothing and the Thresholds of Testimonial Video Ilona Hongisto CARNAL INSISTENCE Chapter 8 In the Name of the Author: Towards a Materialist Understanding of Literary Authorship Kaisa Kurikka Chapter 9 The Sublime: Process and Mediation Liza McCosh Chapter 10 Fashion as an Embodied Artform Llewellyn Negrin MATERIALITY THE VIRTUAL AND THE REAL Chapter 11 Material-Character Animation: Experiments in Life-like Translucency Cathryn Vasseleu Chapter 12 Instrumental Vision Rose Woodcock Chapter 13 Real Immateriality in Australian Indigenous Art Brian Martin Chapter 14 The Primacy of Movement: Intermediality, Affect, and Biopolitics in Tero Saarinen’s Hunt Jussi Parikka and Milla Tiainen Notes References Index
Estelle Barrett is Associate Professor in the School of Communication and Creative Arts at Deakin University. She is the author of Kristeva Reframed:Interpreting Key Thinkers for the Arts (2011) and is co-editor, with Barbara Bolt, of Practice as Research: Approaches to Creative Arts Enquiry (2007), both I.B.Tauris. Her reviews and articles have appeared in such publications as Text, Social Semiotics, Double Dialogues and the Journal of Visual Arts Practice. Barbara Bolt is Associate Professor in the School of Art at the Victorian College of the Arts and the Melbourne Conservatorium of Music at the University of Melbourne. She is a practising artist and art theorist. Her publications include Art Beyond Representation: The Performative Power of the Image (2004) and Heidegger Reframed: Interpreting Key Thinkers for the Arts (2011), both I.B.Tauris. She is also co-editor of Practice as Research: Approaches to Creative Arts Enquiry (I.B.Tauris, 2007) with Estelle Barrett, and of Sensorium: Aesthetics, Art, Life (2007) with Felicity Coleman, Graham Jones and Ashley Woodward.
Carnal Knowledge is a new materialist collection, not only because it brings together new materialist work, but also because it consistently and constantly reflects on what is new about new materialisms (it does not apply conceptual tools such as affect, but traverses bodies of thought). Iris van der Tuin, Women's Studies International Forum
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