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Class Struggle in Hollywood, 1930-1950
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Examines the impact of organised crime on the film industry

Table of Contents

  • Preface
  • Acknowledgments
  • Part 1
    • Introduction
  • Part 2
    • Chapter 1: Class versus Class
    • Chapter 2: Reds
  • Part 3
    • Chapter 3: Mobsters and Stars
    • Chapter 4: Moguls
  • Part 4
    • Chapter 5: Strike
    • Chapter 6: Lockout
  • Epilogue
  • Notes
  • Index

About the Author

Gerald Horne is the author of Fire This Time: The Watts Uprising and the 1960s. He is a professor at the University of North Carolina at Chapel Hill.

Reviews

This book is destined to be a bombshell in the field and perhaps far beyond the field. Paul Buhle, coauthor of Tender Comrades: A Backstory of the Hollywood Blacklist - "As Hollywood approaches deadline time on the strike front, a book has been published about the extraordinary history of the film world and the often incestuous relationship between studios, unions, and mobsters. It spotlights bloody union battles of the past, when pickets set cars on fire and 'reds' were seen under every studio bed. The strikes in the film industry of the 1940s had a resonance that echoes today. 'At stake was nothing less than control over an industry that was essential in forging people's consciousness,' writes Gerald Horne in Class Struggle in Hollywood 1930-1950."--The Observer 29 April 2001

This book is destined to be a bombshell in the field and perhaps far beyond the field. Paul Buhle, coauthor of Tender Comrades: A Backstory of the Hollywood Blacklist - "As Hollywood approaches deadline time on the strike front, a book has been published about the extraordinary history of the film world and the often incestuous relationship between studios, unions, and mobsters. It spotlights bloody union battles of the past, when pickets set cars on fire and 'reds' were seen under every studio bed. The strikes in the film industry of the 1940s had a resonance that echoes today. 'At stake was nothing less than control over an industry that was essential in forging people's consciousness,' writes Gerald Horne in Class Struggle in Hollywood 1930-1950."--The Observer 29 April 2001

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