Table of Contents

Part I. Bending Genres

1. Mental Landscapes and Subdued Bodies in Killer’s Kiss – Vincent Jaunas

2. Burning Down the House in Kubrick’s The Shining – Anne-Marie Paquet-Deyris

3. Kubrick’s Gangster Artistry: Contradiction and Hybridity in The Killing – Carol Donelan

4. Adapting Lolita: Hybridizing and Subverting Genre Conventions – Gilles Menegaldo

5. History by Candlelight: How Stanley Kubrick Revolutionized Depictions of the Past on Film – Sean O’Reilly

6. Intertextuality, Distortion and Echoes of World War II in Stanley Kubrick’s War Films – Guillaume Mouleux

Part II. Master of Chaos and Transgression

7. The Philosophy of War in Dr. Strangelove – Jerold J. Abrams

8. Stanley Kubrick and the Cinema of Chaos: The Theater of War – William Gombash

9. Joker’s Ideological Becoming: The Limits of Irony in Full Metal Jacket – James R. Britton

10. “Violence is a Very Horrible Thing”: Brechtian Alienation Effect in Kubrick’s A Clockwork Orange – Madison Mae Williams

11. Reading Reality in A Clockwork Orange: Film Censorship, Metalepsis and “Media Effects” – Rachel Cole

12. Through a Glass, Darkly: The Slow Rise of Women in Barry Lyndon, The Shining and Eyes Wide Shut – Elsa Colombani

Part III. The Visionary Auteur

13. Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership – James Fenwick

14. Auteur vs. Author: Kubrick’s Relationship with Literary Writers – Annie Nissen

15. “May I have the password?”: Heterotopic Space in Eyes Wide Shut – Carl Sweeney

16. The Spectacle of Time, (Slow) motion and Stillness in the Films of Stanley Kubrick – Paul Johnson

17. 2001: A Space Odyssey: Kubrick’s Allegory of Melancholia – Maurizia Natali

18. The Everlasting Moment: Enchantment and Myth in A.I. and 2001: A Space Odyssey – Joshua Sikora

About the Author

Elsa Colombani received her PhD from the University of Paris Nanterre and currently works as an independent scholar.

Reviews

A smart, erudite collection of essays, this Critical Companion not only serves as an introduction to Kubrick but also shows how many new and intriguing things can be said about him. It will sharpen our understanding of one of the cinema's most widely discussed directors.

It is a testament to the enigmatic cinema of Stanley Kubrick and to the editorial wisdom of Elsa Colombani that this anthology brings so many new and crucial insights to the fore. A Critical Companion to Stanley Kubrick features an array of international scholars interpreting films that we know well, but that--thanks to this book--we learn how much we still have to learn. Brimming with original analysis and illustrating a consistent critical awareness of the area, these essays are required reading, for those new to Kubrick and also to those who have long known him.