Mariana Enriquez is a writer and journalist based in Buenos Aires. She has published two story collections in English, Things We Lost in the Fire and The Dangers of Smoking in Bed, which was a finalist for the International Booker Prize, the Kirkus Prize, the Ray Bradbury Prize for Science Fiction, Fantasy & Speculative Fiction, and the Los Angeles Times Book Prize in Fiction.
“The beautiful, horrible world of Mariana Enriquez, as glimpsed in
The Dangers of Smoking in Bed, with its disturbed adolescents,
ghosts, decaying ghouls, the sad and angry homeless of modern
Argentina, is the most exciting discovery I’ve made in fiction for
some time.”—Kazuo Ishiguro
“Mariana Enriquez’s fiction is haunted by the specter of
late-twentieth-century Latin American history. . . . Yet because
the fiction is so alive, the experience of being in her world is
enjoyable.”—Francine Prose, New York Review of Books
“Stories of spirits and disappearances collectively address the
mystery of loss through narratives that are as gripping as they are
chilling.”—Chicago Review of Books
“Enriquez’s gaze throughout the collection is unflinching, taking
readers into dark and grotesque territory, yet it is her morality,
a pervasive sense of right and wrong, that anchors each story and
prevents the collection from veering into the lurid horror of
tabloid tragedy.”—Ploughshares
“Like her Chilean neighbor, the late Roberto Bolaño, Mariana
Enriquez crafts fiction about the darkest recesses of the human
heart that makes you feel light after reading it—uplifted by the
precision and poetry of her characters’ voices.”—The A.V.
Club
“The Dangers of Smoking in Bed establishes Enríquez as a premier
literary voice. Enríquez's extraordinary—and extraordinarily
ominous—fiction holds up a mirror to our bewildering times, when
borders between the everyday and the inexplicable blur, and
converge.”—O: The Oprah Magazine
“Horrors are relayed in a stylish deadpan. . . . Enriquez’s plots
deteriorate with satisfying celerity.”—The New York Times Book
Review
“[A] group of off-kilter tales enlivened by captivating
unease. Every facet of her writing unsettles. . . .
Enriquez, superbly translated by Megan McDowell, masterfully
darts from disturbing to funny to repulsive without jarring the
reader’s momentum—or, rather, the disturbance is built
into the momentum.”—Tasteful Rude
“An atmospheric assemblage of cunning and cutting Argentine gothic
tales . . . insidiously absorbing, like quicksand.”—Kirkus Reviews
(starred review)
“Enriquez’s wide-ranging imagination and ravenous appetite for
morbid scenarios often reaches sublime heights. Adventurous readers
will be rewarded in these trips into the macabre.”—Publishers
Weekly (starred review)
“Enriquez['s] . . . straightforward delivery and matter-of-fact
tone that belie the wild, gasp-worthy action unfolding on the
page.”—Booklist
“Rotting little ghosts, heartbeat fetishes, curses and witches and
meat: Each of these stories is a luscious, bewitching nightmare. I
adore this book.”—Kirsty Logan, author of The Gracekeepers
“I loved these twisted tales, these lustful whispers in the dark.
There is some serious power in this writing.”—Daisy Johnson, author
of Sisters
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