Ed Brubaker is one of the most acclaimed writers in comics, a
multiple Eisner Award winner. Following fan-favorite runs on Scene
of the Crime, Sleeper, Catwoman and Gotham Central for DC, he moved
to Marvel. His Captain America relaunch, in which he
controversially revived Bucky Barnes as the Winter Soldier, won
over fans new and old, and his revisionist take on the history of
Marvel’s mutants in X-Men: Deadly Genesis resulted in a regular gig
on Uncanny X-Men, Marvel’s flagship X-title. He and longtime
artistic collaborator Michael Lark took up the baton on Daredevil
after Brian Michael Bendis and Alex Maleev’s legendary run
concluded, and Brubaker jump-started Immortal Iron Fist with
co-writer Matt Fraction and artist David Aja. Marvel’s Icon imprint
published Brubaker’s creator-owned Criminal and Incognito, and he
has gone on to further success at Image Comics with such titles as
Fatale, Velvet and The Fade Out. Beyond comics, Brubaker has
written for TV’s Westworld and co-created the crime drama Too Old
to Die Young.
Michael Lark has teamed with writer Ed Brubaker on DC’s Gotham
Central and the noir Scene of the Crime, as well as adding a
timeworn elegance to the World War II flashbacks in Captain
America. But his work with Brubaker on Daredevil set new highs —
not only for their collaborative efforts, but for the narrative
tapestry of Marvel’s Man Without Fear.
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