" Elective Affinities brings the often very different (and oppositional) philosophy of the aesthetics of Danto and Adorno into a richly informative exchange, making good the case that whatever their considerable differences, there are important points of convergence, such that what emerges is greater than the sum of the parts." -- Richard Leppert, Regents Professor, University of Minnesota "This book on the elective affinities of music to philosophy and drama, to birdsong and violence, to film and nationhood is imaginatively textured around two resonating themes: the persistent battle of philosophical aesthetics with history and the arts and the unusual confrontation of a European and an American aesthetic of the modern. Thinking with and through the work of Theodor Adorno and Arthur Danto, Lydia Goehr gives us a series of brilliant musical essays linked by the sustained focus on the movement of concepts such as musicality, art's relation to nature and the commonplace, the experimental, the monumental, film as visual music, and music in film. A common thread, drawn into a pattern in the final chapter, is the elective affinity between European (especially German) and American aesthetic theory and practice." -- Andreas Huyssen, Villard Professor of German and Comparative Literature, Columbia University
Lydia Goehr is professor of philosophy at Columbia University and the author of The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music and The Quest for Voice: Music, Politics, and the Limits of Philosophy. With Daniel Herwitz, she is the editor of The Don Giovanni Moment: Essays on the Legacy of an Opera.
Elective Affinities is a great book. Lydia Goehr demonstrates that critical theory is not as dead or philosophically doctrinaire and petrified as many would like to believe. Instead, her study is a brilliant and persuasive intervention arguing for the significance of critical theory today, supplying the evidence that critical theory still plays a crucial role in the project of philosophy--Continental or not. -- Willi Goetschel, professor of German and philosophy, University of Toronto Elective Affinities brings the often very different (and oppositional) philosophy of the aesthetics of Danto and Adorno into a richly informative exchange, making good the case that whatever their considerable differences, there are important points of convergence, such that what emerges is greater than the sum of the parts. -- Richard Leppert, Regents Professor, University of Minnesota This book on the elective affinities of music to philosophy and drama, to birdsong and violence, to film and nationhood is imaginatively textured around two resonating themes: the persistent battle of philosophical aesthetics with history and the arts and the unusual confrontation of a European and an American aesthetic of the modern. Thinking with and through the work of Theodor Adorno and Arthur Danto, Lydia Goehr gives us a series of brilliant musical essays linked by the sustained focus on the movement of concepts such as musicality, art's relation to nature and the commonplace, the experimental, the monumental, film as visual music, and music in film. A common thread, drawn into a pattern in the final chapter, is the elective affinity between European (especially German) and American aesthetic theory and practice. -- Andreas Huyssen, Villard Professor of German and Comparative Literature, Columbia University [Goehr's] analysis is erudite, lucid, and always suggestive... [Elective Affinities is] genuinely magnificent and lastingly influential. History and Theory
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