Table of Contents

Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe

Part I: Form
1. La part picturale du tableau-style / Valentine Robert
2. The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand
3. The Vision Scene: Revelation and Remediation / Frank Gray
4. Animating Antiquity / Laura Horak
5. Caricature et films comiques à la Belle Époque: quand le dessin de presse rencontre le cinema / Jérémy Houillère
6. De la presse illustrée à l'actualité filmée (1894-1910) : l'émergence d'une nouvelle culture visuelle de l'information ? / Rodolphe Gahéry
7. From Pathé to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel
8. Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson
9. A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen

Part II: Material
10. Between "Recognition" and "Abstraction": Early Vocational Training Films / Florian Hoof
11. Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus
12. Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin
13. The Color Image / Joshua Yumibe

Part III: Networks
14. Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jörg Schweinitz
15. Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari
16. Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist
17. A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie
18. Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-13) / Gregory A. Waller
19. The City View(ed): Muybridge's Panoramas of San Francisco and their Afterlives in Early Cinema / Dimitrios Latsis
20. California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe
21. What is a Fake Image? / Frank Kessler and Sabine Lenk
22. The Lantern Image between Stage and Screen / Artemis Willis

Part IV: Discourses
23. Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional Era Quality Films / Tom Paulus
24. Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson
25. Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon
26. An "Advertising Punch" in Every Frame: Image Making in Early Advertising Films / Martin L. Johnson

Appendix: Translations
27. English Translation of Chapter 1: Early Cinema's Realizations: The Pictorial in the Tableau Style / Valentine Robert
28. English Translation of Chapter 5: Caricature and Comic Films in the Belle Époque: When the Illustrated Press Met the Cinema / Jérémy Houillère
29. English Translation of Chapter 6: From the Illustrated Press to Filmed Actualities (1894-1910): The Emergence of a New "Visual Information Culture"? / Rodolphe Gahéry

About the Author

Scott Curtis is Associate Professor in the Department of Radio/Television/Film at Northwestern University. He is author of The Shape of Spectatorship: Art, Science, and Early Cinema in Germany.

Philippe Gauthier lectures in cinema and media at the University of Ottawa. He is author of Le montage alterné avant Griffith.

Tom Gunning is Edwin A. and Betty L. Bergman Distinguished Service Professor in the Department of Cinema and Media Studies at the University of Chicago. He is author of D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph and The Films of Fritz Lang: Allegories of Vision and Modernity.

Joshua Yumibe is Associate Professor and Director of Film Studies at Michigan State University. He is author of Moving Color: Early Film, Mass Culture, Modernism, and author of Fantasia of Color in Early Cinema.