The first major survey to chronicle the emergence and migration of Pop art from an international perspective.
Not only will International Pop remain a scholarly reference for
future exhibitions and research, but the range of page colors and
textures, to the variety of layouts and organizational methods used
throughout the catalogue, succeed in capturing the feel of Pop in
every spread, succinctly bringing together a large number of
artists, artworks, and several countries to tell a multi-faceted
and open-ended narrative of Pop Art across the world.
*The Brooklyn Rail*
For every classic, textbook item - a Jasper Johns flag painting, a
Warhol Brillo box - there are dozens you've never laid eyes on.
Collectively, they distill an era's distinctive mix of earned
paranoia and skeptical utopianism.
*The New York Times*
“International Pop"... crystallizes precisely what is at stake in
the organization of international or global exhibitions.
*Artforum*
Required viewing for anyone interested in Pop art and culture, or
who remembers the 1960s, from the Vietnam war and the Moon landing
to Sgt. Pepper’s, and hopes to understand how complex, layered, and
global Pop was.
*Hyperallergic*
"smart and subtle"
*The Wall Street Journal*
A mix of illustrations, visual chronologies, and original essays
from leading scholars provides insight on how to understand and
appreciate "Pop" as we know it.
*Interview*
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