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The Lost Architecture of Jean Welz
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Table of Contents

The Mystery of Jean Welz

Part I: Invisible

Jean Welz Does Not Exist

Le Château Moche — Paris, Christmas Day 2012 

The Tradouw Pass — 1940

Part II: Vienna

Finis Austriae — Vienna, October 1918 

Josef Hoffmann and The First Wave

Adolf Loos and the Second Wave

Hans Welz Architect

Part III: Paris

Art Deco — Paris, 1925 

The Guevrekian Letter 

The Third Man Mallet-Stevens / Le Corbusier / Jean Welz

Raymond Fischer

Le Chemin Aérien / The Aerial Way

“Un Nègre Viennois”

Part IV: Oeuvre

The Portfolio

House for an Artist

Inondation — Montauban, 1931

Maison Landau A Minimum House

Villa Darmstadter —1932

Oswald Haerdtl — 1932

Maison Zilveli — 1933

Mont D’Or and Pavillon D’Autriche The Unbuilt

Part V: Tales

A Tale of Two Balconies

A Tale of Two Brothers The Dealer and the Artist

Corbusier’s Note

The Martienssen Affair

A Tale of Three Monuments

Part VI: Jean

House on the Lake

The Dialogues of Jean Welz

Pains and Pleasures of Anonymity

A Solitary Adventure The Character of Jean Welz

Christensen Gallery Inger Welz

Zilveli Destroyed

Appendices

After Architecture South Africa Addendum

Bibliography

Index

Acknowledgments

Plates

About the Author

Peter Wyeth has been making films since the 1970s, including several with the Arts Council of Great Britain, one of which about a modernist block of flats in London, inspired by Hokusai ("12 Views of Kensal House") was runner-up for best documentary. He started a forgotten film-mag North by North West, and in 1994 directed "The Diary of Arthur Crew Inman," based on the 17-million-word and longest diary in America and named a London Times "Film of the Week." From 19992003, Wyeth was head of the film school at University of the Arts London, where he taught for ten years and set up the student-run channel Xplore.tv. His short film "Pane" won a Turner Classic Movies award in 2003. His book The Matter of Vision: Effective Neurobiology and Cinema was published by Indiana University Press in 2015 (in the UK by John Libbey Media) and over the past twelve years he has written dozens of articles on architecture and design for The Modernist. He continues to direct, including for television. He lives between Paris and London.

Reviews

Peter Wyeth has masterfully charted architect Jean Welz’s work and trajectory from Vienna to Paris and South Africa, as well as his contacts with remarkable clients, colleagues, artists and photographers. He has at last paid homage to his striking designs, such as the Zilveli villa built in Paris in 1933, which deserves to be inscribed in the narrative of European Modernism. —Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York UniversityKnown, if at all, as a much-admired painter in South Africa in the mid-twentieth century, Jean Welz's complex architecture career is now marvelously pieced together for the first time. —Robin Middleton, professor Emeritus, Department of Art History and Archaeology, Columbia UniversityPeter Wyeth's really marvelous book uncovers a highly gifted modernist unknown to the public, whose architecture absorbed the most important ideas of Loos and Le Corbusier. As a filmmaker, Wyeth combines a sharp analysis of Europe's artistic movements between the two wars with refreshing personal insights to create a fascinating portrait that is both fluid and easy to read. —Burkhardt Rukschcio, author of Adolf Loos: Leben und WerkOne of the last testimonies of modernism in intramural Paris is the the Maison Zilveli by the Viennese architect Jean Welz, near Adolf Loos and the Roche du Corbusier house. […] British filmmaker Peter Wyeth, very involved in the preservation of the house, explains that “it is very rare to have a modernist house that has remained unchanged: it is a real case study.” —Le Journal des Arts Jean Welz and his architecture do exist! Let's hope his architecture survives and defies ignorance. — Richard Klein, architect, professor, chair of docomomo FrancePeter Wyeth is to be commended not only for rediscovering Jean Welz and his work but also for reconstructing the network of interactions, innovations and transmission of ideas that constitute the real history of architecture. —Tim Benton, professor and author of The Villas of Le Corbusier and Pierre Jeanneret 1920–1930This vivid and remarkable excavation of the life and work of the Viennese-born architect Jean Welz is a splendid contribution to the history of modernism. Welz was closely connected with two of the titans of the age, Le Corbusier and Adolf Loos, but, even more, he was an excellent architect, whose work was sensitive, beautiful, and inventive. Wyeth tells his story well, bringing known aspects of the tale of modern architecture into sharper focus, while adding much that is new. —Christopher Long, professor, University of Texas at Austin and author of The New Space: Movement and Experience in Viennese Modern Architecture

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