Table of Contents

Introduction R. Barton Palmer and William Robert Bray; 1. Realism, censorship, and social promise of Dead End Amanda Klein; 2. Screening Our Town (1940): or the problem of 'looking at everything hard enough' David Eldridge; 3. Screening Death of a Salesman: Arthur Miller's cinema and its discontents R. Barton Palmer; 4. Elia Kazan's A Streetcar Named Desire William Robert Bray; 5. Come back, little Scopophile: William Inge, Daniel Mann, and cinematic voyeurism John S. Bak; 6. The Big Knife: Hollywood's 'fable about moral values and success' Christopher Ames; 7. Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A Raisin in the Sun Martin Halliwell; 8. The Children's Hour Neil Sinyard; 9. Screening Long Day's Journey into Night Mary F. Brewer; 10. Who's Afraid of Virginia Woolf? David Lavery and Nancy McGuire Roche; 11. Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for Love Annette Saddik; 12. Actor, image, action: Anthony Drazan's Hurlyburly (1998) Laurence Raw; 13. David Mamet brings film to Oleanna Brenda Murphy; 14. To what end Wit? John D. Sykes, Jr; 15. Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) Tison Pugh; Filmography.

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Focusing on key texts, leading scholars explore how Hollywood has given an enduring life to the classics of Broadway theater.

About the Author

William Robert Bray is Professor of English at Middle Tennessee State University. He is the founding editor of the Tennessee Williams Annual Review and the founding director of the Tennessee Williams Scholars Conference. He is the author of Tennessee Williams and his Contemporaries (2008) and (with R. Barton Palmer) Hollywood's Tennessee: The Williams Films and Postwar America (2009). R. Barton Palmer is the Calhoun Lemon Professor of Literature at Clemson University, South Carolina, where he also directs the Film Studies program. He is the author, editor or general editor of more than 40 volumes on various literary and cinematic subjects, and a leading figure in the field of adaptation studies. Among other publications in this area, Palmer is the editor of two previous volumes for Cambridge University Press: Nineteenth-Century American Fiction on Screen (2007) and Twentieth-Century American Fiction on Screen (2007).