Table of Contents

Introduction - Tess Knighton and David Skinner
The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover - Elizabeth Aubrey
Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria - Manuel Pedro Ferreira
The estampies of Douce 308 - Elizabeth Eva Leach
Anonymous IV and the Antiqui - Rob C. Wegman
The Development of the Latin Liturgical Psalter in England - John Caldwell
Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi? - Crawford Young
The Variable-Voice Conductus - Mark Everist
Making Sense of Omnis / Habenti: An Ars Nova Motet in England - Lisa Colton
Super omnes speciosa: Machaut Reading Vitry - Alice V. Clark
'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet - Lawrence Earp
La belle se siet: Where Dufay and Josquin Meet - David Fallows
In Search of Medieval Music in Non-Western Countries - Anna Maria Busse Berger
Where Did Our Musical Instruments Come From? - Jeremy Montagu
Instrumentalists and Changing Performance Contexts, c. 1500 - Keith Polk
Non-mensural Polyphony: Performing Plainsong - Reinhard Strohm
'Übersingen' and 'Quintieren': Non-Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg - Marc Lewon
From Page to Sound: Performing the Masses of Walter Frye - Andrew Kirkman

About the Author

TESS KNIGHTON is an ICREA Research Professor affiliated to the Institució Milà i Fontanals-CSIC in Barcelona and an Emeritus Fellow of Clare College, Cambridge. DAVID SKINNER is Fellow and Osborn Director of Music at Sidney Sussex College, Cambridge, and director of the early music ensemble Alamire. DAVID SKINNER is Fellow and Osborn Director of Music at Sidney Sussex College, Cambridge, and director of the early music ensemble Alamire. ELIZABETH EVA LEACH is Professor of Music at the University of Oxford and a Fellow of the British Academy. Her work focuses on song in the medieval West in the thirteenth and fourteenth centuries. MANUEL PEDRO FERREIRA is Professor of Music at the Universidade Nova de Lisboa, Portugal. TESS KNIGHTON is an ICREA Research Professor affiliated to the Institució Milà i Fontanals-CSIC in Barcelona and an Emeritus Fellow of Clare College, Cambridge.