Ron Koertge teaches at Hamline University in their low-residency MFA program for Children's Writing. A prolific writer, he has published widely in such seminal magazines as Kayak and Poetry Now. Sumac Press issued The Father Poems in 1973, which was followed by many more books of poetry including Fever (Red Hen Press, 2007), Indigo (Red Hen Press, 2009), and Lies, Knives and Girls in Red Dresses (Candlewick Press, 2012). He is a contributor to many anthologies, such as Billy Collins's Poetry 180 and Kirby & Hamby's Seriously Funny. Koertge also writes fiction for teenagers, including many novels-in-verse: The Brimstone Journals, Stoner & Spaz, Strays, Shakespeare Bats Cleanup, and Shakespeare Makes the Playoffs. All were honored by the American Library Association and two received PEN awards. He is the recipient of grants from the NEA and the California Arts Council, and has poems in two volumes of Best American Poetry. He lives in South Pasadena, California.
"Wit, the impeccably dressed and better educated sibling of funny,
suffers an unstable reputation: clever yet aloof, socially polished
but oddly cold. In the warmer, less formal surroundings of Ron
Koertge's poems, however, wit lets down its guard and, behold:
charm, intelligence, amazing inventiveness, and a kind of sweetness
in its patient regard for a world so frequently bereft of those
qualities. So what could be more welcome than a new Koertge
collection, where wit presides, and wisdom elegantly clothed in
laughter is always in attendance."
--B.H. Fairchild"It has been apparent from Ron's earliest published
works--many of which long ago qualified as contemporary
classics--that he was the most innately talented poet of his
generation (mine too: I might call us the Second World War-Babies).
No one has been more gifted at transferring to the page the
wittiest, most concretely detailed, and most startlingly original
conceits of a dazzlingly colloquial phalanx of post-Beat,
pre-Boomer bards. With the years he has streamlined his style, with
no sacrifice of brilliance. His prose narratives, teaching career,
and graceful readings are similarly legendary. Had I the power to
do so, I would (in a wink and with one) decorate him as the next
Poet Laureate of these good ol' United States."
--Gerald Locklin"Ron Koertge's whimsical and smart-hearted poetry
has given me decades of pleasure. His unique takes on what once
upon a time was a tad ponderously called The Human Condition are
here also generous enough to account for Rumpelstiltskin, Icarus,
Little Red Riding Hood, and one of the lesser-known Gingerbread Men
in baking history.
If you're ready to find out who can't wait to sink his teeth into
'a soiled bag / of god-knows what, ' which subject Gretel studies
in night school after the death of her beloved Hans, what kind of
fireworks the Christ child favors, where 'the body of Matthew
Arnold always washes up, ' and why the Trojan Pony 'smells like
graham crackers inside, ' then please proceed--without the usual
caution.
Koertge's poems are good for whatever ails us. They're a lot like
the medicine his 'Medication Guide' describes as 'perfectly safe
and effective. Well, not perfectly safe. Nothing's perfect. Almost
safe. Nearly.' I'm glad to say there's nothing really safe about
The Ogre's Wife, and we're already the better for that. Effective?
Well, let's just say that in no time you'll feel like a million
poetry bucks."
--David Clewell, Poet Laureate of Missouri emeritus
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