Table of Contents

Acknowledgments    
Introduction    
1. Lena Dunham Is Not a Pedophile: False Narratives and Scarlet Letters    
2. Harry Styles Is (Probably) Not a Creep: What Makes You Beautiful and the Male Gaze    
3. On My Money and Bitches Who Better Have It: How Modern Anticapitalists Fail to Account for Racial Politics of Black Artists    
4. Why Does This White Australian Sound like She’s from Atlanta?: On Cultural Appropriation, White Supremacy, and Black Sexuality    
5. Mother Monster and Q.U.E.E.N.: Context Challenging and Changing the Problematic    
6. Friendly Fire: Why Our Perfectionist Lens Makes Us Harsher on Feminist Media    
7. Actually, It’s about Ethics in Feminist Criticism: Where White Feminism and #GamerGate Converge    
8. Do You Even Lift, Bro? Toxic Masculinity, Sports Culture, and Feminist Ignorance of the Problems    
9. Dinos, Disasters, and Dives: A Feminist Defense of That High-Heeled Chase Scene in Jurassic World    
10. Selfie Game Strong: Kim Kardashian and de Beauvoir’s Thoughts on Beauty    
11. Pinterest Perfect: How Our Home Lives Reflect an Unhealthy Obsession    
12. “I Am Big Enough to Admit I Am Often Inspired by Myself”: Leslie Knope as the Paragon of Feminist Joy    
13. Teen Girls Are the Future and That Is a Good Thing: Our Perfectionism Actively Harms Women    
14. Never Say Never: Setting Your Own Borders and Understanding Your Boundaries    
Last Notes    
Notes    
Bibliography    
 

About the Author

Dianna E. Anderson is a freelance journalist, author, and activist in women’s issues. She is a regular contributor to Cosmopolitan, Rolling Stone, the Establishment, Vice, and Bitch Magazine. Anderson is the author of Damaged Goods: New Perspectives on Christian Purity.

Reviews

"This is an in-depth, insightful, and novel contribution to feminist debates about popular culture."—Publishers Weekly

"Activism, advocating and justice are a constant developmental journey–you never "arrive." Everyone is always learning more about society and cultural issues, about systems of oppression and how we either support or dismantle those systems. And yet, fearing this level of unrelenting and, sometimes, life-altering criticism frequently stops people from speaking up and speaking out. Ultimately, read this book–especially if you consider yourself a feminist and frequently engage in pop culture!"—Bibliophile's Binge blog

“It’s never been easier to consume popular culture or trickier to thoughtfully engage it without messing up: you have to like (or condemn) all the right things and for all the right reasons. But those arguments around Beyoncé or the Oscars get so heated because pop culture is where we affirm and, yes, perform, our public values. Anderson illustrates precisely why those political stakes require us to envision a post-‘callout’ world where we can stay critically engaged in the discourse on movies and sports and music—perhaps especially when it comes to the stuff we’re not supposed to like.”—Gene Demby, host of NPR’s Code Switch

“Problematic is a necessary contribution to a crucial current debate—a sustained, thoughtful argument for engaging with the compromised, the difficult, and, yes, the problematic in contemporary popular culture.”—Angus Johnston, historian, professor at City University of New York, and advocate for student rights

“In a time when everyone is swinging sledgehammers, Dianna Anderson comes at our feminist discourse with a scalpel, taking on some of the most bitterly polarized and polarizing figures of our time with nuance and care. Even if you think you physically can’t bear to read another essay about Iggy Azalea or Girls, you need to read hers.”—Sady Doyle, author of Trainwreck: The Women We Love to Hate, Mock, Fear . . . and Why, and founder of Tiger Beatdown

“In Problematic Dianna Anderson takes the reader back to feminist theory 101, walking the long-dedicated and newly recruited among us alike through the often risky process of consuming popular culture with a critical eye. Along the way she teaches us to hold on to the joy of those things that can, at times, fall short of perfection.”—Katie Klabusich, writer, reproductive justice advocate, and host of Netroots Radio’s The Katie Speak Show

“This work is necessary right now, especially in this particular moment (a Trump presidency and in a #MeToo world). It is hard to read Problematic and not come away concerned that a feminist critique of pop culture is both required in today’s society and struggling under the weight of its own righteousness . Anderson doesn’t want feminists to stop being critical of the world around them; she’s just asking that they be more thoughtful about how they do it. Problematic can serve as an example of how to do exactly that.”—Jessica Luther, author of Unsportsmanlike Conduct: College Football and the Politics of Rape