About the Author

Alison Moore's first novel, The Lighthouse, was shortlisted for the Man Booker Prize and the National Book Awards (New Writer of the Year), winning the McKitterick Prize. Both The Lighthouse and her second novel, He Wants, were Observer Books of the Year. Her short fiction has been included in Best British Short Stories and Best British Horror anthologies, broadcast on BBC Radio 4 Extra and collected in The Pre-War House and Other Stories. Born in Manchester in 1971, she lives near Nottingham with her husband Dan and son Arthur.

Reviews

Novels set on islands have a habit of taking nasty turns, as this example slyly acknowledges. But readers of Alison Moore’s Booker-shortlisted The Lighthouse will know that her speciality is slow-building unease rather than obvious jump scares. So it is with this, which follows two frustrated creatives, painter Sandra and novelist Carol, as they seek inspiration on two adjacent, isolated islands.
*Daily Mail*

In this new book, a would-be painter called Sandra joins an artists’ retreat on an island called Leiloh where “contentment is assured”. In a parallel story, Carol, an aspiring writer, travels to a deserted island so that she can finish her novel. Although the worlds of these characters are contemporary and largely realistic, this is a story laced with the tropes of fairytale and myth. Emblematic and intentionally flimsy, Sandra and Carol are often described in terms of adverts, plays and books. The atmosphere of the islands is eerie and unsettling, the writing imbued with a deliberate simplicity and distance.
*The Guardian*

I’ve loved all four of Alison Moore’s previous novels for adults – the most recent being Missing published in 2018 – and this was no exception. I particularly admire the ability to make relatively ordinary situations seem macabre. I also love the visual imagery: how objects are planted, as they might be in film, as clues to how we might interpret the story. No doubt I missed several in The Retreat, but picked up on doubles and mirrors; fantasy and fairy tale; and the small, smaller and smallest islands like matryoshka dolls.
*Annecdotal*

I very much enjoyed the writing and I feel that a lot more emotion was stirred up as I read than I was expecting.
*Intensive Gassing About Books*

★★★★★ I had not read anything by this author before but I was captivated by the writing and I will be seeking out her other books. The bullying nature of the group and the sense of a lifelong dream turning into a nightmare for Sandra was really unsettling. I loved the references to other books set on islands and to fairy tales.
*Book Blogging Bureau*

This is a fantastic book with great drama and plot and beautiful writing. I loved the characters the chemistry the spirit they had in this story. Every chapter exciting to read you love this book.
*Rhianydd Morris*

Whilst most of The Retreat is given over to Sandra, personally I found Carol’s narrative to be the most compelling. Alison Moore has perfectly captured the unsettling feeling of isolation, combining this with a delightful sense of the weird to create a not-quite ghost story that revels in its atmosphere. As the novel progresses, Carol’s narrative also begins to shed new light upon Sandra’s predicament, creating a compelling yet uneasy narrative that left me feeling somewhat unsettled by the time I turned the final page.
*The Shelf of Unread Books*

Artists’ retreats are usually portrayed as places of solace and inspiration, but Alison Moore’s intriguing novel offers a bracing counterpoint. She depicts the island of Lieloh, home to the former movie star Valerie Swanson, as a strange and threatening place, full of enigma and artifice. When aspiring painter Sandra Peters joins the retreat, it proves to be anything but a relaxing trip away.
*The Observer*

Moore was previously nominated for the Booker Prize. Her new book follows Sandra, a middle-aged receptionist and would-be painter who visits an artists’ retreat only for her ambitions to wilt under the backbiting of fellow residents. While narrative tension comes mainly from her social discomfort, there’s mystery, too, thanks to a secondary thread about an aspiring novelist in search of creative solitude. Darkly funny and poignant.
*Mail on Sunday*

I loved this book, which is effective and disturbing to a far more potent degree than any number of more deliberate or dramatic haunted house stories. The only problem with being a Moore fan is that the moment you’ve finished reading one of her novels you’re already looking forward to the next – and Moore, to her credit, is a writer who is prepared to give her books all the time they need to come into being.
*The Spider’s House*

The Retreat is a small masterpiece of disconnection.
*TLS*

The two narratives tie up in unexpected ways, right down to the novel’s final disturbing revelation: Moore has wrapped her clever, devilish thriller around an elaborate study of artistic insecurity.
*FT*

Alison Moore’s engaging fifth novel, in which things recur, mirror and nestle within one another, filling the pages to saturation.
*Literary Review*

Immediately intriguing, this beautifully written novel hums with slowly building tension.
*NB*