Translated by Esther Allen with an Introduction by Roberto González Echevarría
José Martí: An Introduction by Roberto González Echevarría
Chronology
Suggestions for Further Reading
Earliest Writings
Abdala
Letter to His Mother from Prison
Political Prison in Cuba
1871-1881
Notebooks 1-3
Early Journalism:
The Poor Neighborhoods of Mexico City
Sarah Bernhardt
Impressions of America (by a very fresh Spaniard)
1882-1890
Poetry:
Prologue to Juan Antonio Pérez Bonalde's Poem of Niagara
Ismaelillo:
Waking Dream/Sueño despierto
Fragrant Arms/Brazos fragantes
My Kinglet/Mi reyecillo
Son of My Soul/Hijo del alma
Free Verses/Versos libres:
My Verses
The Swiss Father/El padre suizo
Famous Island/Isla famosa
Love in the City/Amor de ciudad grande
I Hate the Sea/Odio el mar
Winged Cup/Copa con alas
Notebooks 4-15:
Undated Fragment
A Passion
from The Golden Age:
Pin the Tail on the Donkey: A New Game and Some Old Ones
Letters from New York:
Coney Island
The Trial of Guiteau
Prizefight
Emerson
Tribute to Karl Marx, Who Has Died
from La América: The Brooklyn Bridge; The Glossograph; Indigenous
Art; Mexico, the United States, and Protectionism; Graduation
Day
The Indians in the United States
The World's Biggest Explosion
Impressionist Painters
A Great Confederate Celebration
The Cutting Case
The Poet Walt Whitman
Class War in Chicago: A Terrible Drama
A Walking Marathon
New York Under Snow
Blaine's Night
A Chinese Funeral
Inauguration Day
Political Correspondecne:
Letter to Emilio Núñez
Letter to General Máximo Gómez
A Vindication of Cuba
1891-1894
Poetry:
Simple Verses/Versos sencillos:
Prologue
I (I am an honest man/Yo soy un hombre sincero)
III (I hate the masks and vices/Odio la máscara y vicio)
XXVIII (Past the manor with the tomb/Por la tumba del cortijo)
XXX (Blood-hued lightning cleaves/El rayo surca, sangriento)
XXXVI (Yes, I know: flesh/Ya sé: de carne se puede)
XLV (I dream of marble cloisters/Sueño con claustros de
mármol)
Notebooks 18-20
Letters from New York:
Our America
The Lynching of the Italians
The Monetary Conference of the American Republics
A Town Sets a Black Man on Fire
from Patria:
The Abolition of Slavery in Puerto Rico
My Race
To Cuba!
The Truth About the United States
1895
Politics:
The Montecristi Manifesto
Final Correspondence:
Letter to His Mother
Letter to Manuel Mercado
War Diaries:
Part I: From Montecristi to Cap-Haïtien
Part II: From Cap-Haïtien to Dos Ríos
Afterword by Esther Allen
Notes
Index
Jose Martiwas a Cuban revolutionary and fighter for independence
who was also known worldwide as a poet and a journalist. Referred
to by many as the "Apostle of the Cuban Revolution," Marti was born
in Havana in the middle of the 19th century. Marti's skills were
not merely limited to creative writing, as he was also a very
well-respected philosopher, translator, professor, publisher,
Freemason, and political theorist.
Esther Allen is an essayist and translator of Spanish and French.
An associate professor at Baruch College, City University of New
York, she directed the work of the PEN/Heim Translation Fund from
its founding in 2003 to 2010, and cofounded PEN World Voices- the
New York Festival of International Literature (2004). A two-time
recipient of the National Endowment for the Arts translation
fellowships, she was a fellow at the Cullman Center for Scholars
and Writers at the New York Public Library in 2009-2010. The French
government has honored her as a Chevalier de l'ordre des arts et
des lettres (2006). Visit her website at estherallen.com.
Roberto Gonzalez Echevarria is the Sterling Professor of Hispanic
and Comparative Literatures at Yale University. He was awarded the
2010 National Humanities Medal by President Obama and has received
a Guggenheim Fellowship and a number of other grants for his work
as a critic of Latin American literature and culture.
"Martí is the most remarkable figure in the history of Cuba....No English-language collection is as comprehensive as this handsome new addition to the Penguin Classics."—Tom Miller, The Los Angeles Times Book Review
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