Table of Contents

Preface

Acknowledgments

Introduction

Chapter 1- An Education in Naturecultures: Review of Literature on Ecocriticism, Biosemiotics, and Shakespeare

Chapter 2- With Parted Eye: A Midsummer Night’s Dream, Richard Powers’ Orfeo, and Biosemiotics

Chapter 3- Consuming the Slaughter: Applause, Bullfighting, and Fascism in Shakespeare’s Hamlet and Richard Wright’s Pagan Spain

Chapter 4- Co-conspirators: invoking Macbeth in Margaret Atwood’s Oryx and Crake

Chapter 5- Migrations: Butterflies and Shakespeare in Barabara Kingsolvers’s Flight Behavior

Chapter 6- Mutations and Interpretations: From the Tempest to La Otra Tempestad

About the Author

Timothy Ryan Day teaches Shakespeare, Ecocriticism, and Writing at Saint Louis University's Madrid campus. He was born in Oklahoma, grew up in Chicago, and lives in Spain.

Reviews

In this beautiful work of narrative scholarship, Ryan Day succeeds in probing both the intimate and planetary dimensions of green Shakespeare studies and environmental humanities theory. Shakespeare and the Evolution of the Human Umwelt is an impressively learned and engaging book, demonstrating the unexpected relevance of Shakespeare to a wide range of contemporary environmental writing and the vibrant potential of ecocriticism.—Scott Slovic, University of Idaho, author of Going Away to Think: Engagement, Retreat, and Ecocritical ResponsibilityIn rich thoughtful prose, Shakespeare and the Evolution of the Human Umwelt sets us deep with Ovid in the roots of our literary heritage, lifts us high in leafy outgrowths of Shakespeare and our shared critical consciousness, and leaves us desolate in the hard-wired wasteland of Atwood's post-apocalyptic Oryx and Crake.—Andrew J. Power, University of Sharjah, Co-Editor, Early Shakespeare, 1588-1594 and Late Shakespeare, 1608-1613 . Editor, The Birth and Death of the Author: a Multi-authored History of Authorship in Print (Routledge, 2020).This elegant and accomplished exercise in interwoven narrative history draws fascinating parallels between literature and biology—from the butterflies of Barbara Kingsolver to tumors in The Tempest—and yet it ultimately delivers, with surprising prescience, an entirely new way of thinking about the present.—Rachel Corbett, author of You Must Change your Life: the Story of Rainer Maria Rilke and Auguste Rodin