Table of Contents

Introduction
Chapter One – YouTube and Musical Theatre
Chapter Two – Twitter and Musical Theatre
Chapter Three – TikTok and Musical Theatre
Conclusion
Notes
Bibliography
Acknowledgements
Index

Promotional Information

Provides a concise history of social media and musical theatre, including in-depth case studies which underscore how social media intersects with musicals from conception to reception.

About the Author

Trevor Boffone is Lecturer in the Women’s, Gender & Sexuality Studies Program at the University of Houston, USA. His work using Dubsmash and TikTok with his students has been featured on Good Morning America, ABC News, Inside Edition, and Access Hollywood, among numerous national and local media platforms. He is the author of Renegades: Digital Dance Cultures from Dubsmash to TikTok. He is the co-editor of Encuentro: Latinx Performance for the New American Theater; Nerds, Goths, Geeks, and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature; and Shakespeare and Latinidad.