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The Stand-In
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Promotional Information

Co-op available.

Galleys available by request.

North American Print Campaign.

General interest: The Believer, Bookforum, The Atlantic, The New York Times, NYTBR, LA Times, Time, LARB, Harper’s, Washington Post, Vanity Fair, SF Chronicle

Trades: Publisher’s Weekly, Booklist, Kirkus, Library Journal

Canadian Interest: Globe and Mail, Toronto Star, National Post, Vancouver Sun, Montreal Gazette, Quill & Quire, Canadian Notes and Queries, Winnipeg Free Press

North American TV & Radio Campaign.
Pitch interviews and reviews to NPR and CBC.

Online and Social Media Campaign.
Pitch interviews and reviews to The Rumpus, The A.V. Club, Electric Literature, The Millions, Largehearted Boy, Identity Theory, New Yorker’s Book Bench, Bookslut, Shelf Awareness, The Awl, Slate, Salon, Daily Beast’s Book Bag, LARB, NYRB, Vol. 1 Brooklyn, Quarterly Conversation, Brooklyn Rail, Flavorwire, Buzzfeed.

General Ebook Plan.
Ebook available.
Biblioasis and author websites.

About the Author

David Helwig is the author of twenty volumes of fiction and fourteen volumes of poetry, an Officer of the Order of Canada, and former poet laureate of Prince Edward Island.

Reviews

PRAISE FOR THE STAND-IN "David Helwig is one of Canada's most unsung writers, talent-wise. The Stand-In is not only a witty, eloquent and satirical impromptu, but an artfully regulated romp...a triumph of comic exposition."--Toronto Star "The Stand-In is a witty, inventive, sometimes disturbing excursion into the genre of the dramatic monologue, that literary form perfected in poetry by Robert Browning, and here equally successful in prose, in which a single speaker addressing an unseen audience reveals more about himself than he realizes or perhaps intended." --Prairie Fire "Helwig superbly explores complex philosophical ideas. His style is engaging and informing, his sense of dialogue extraordinary."--The Winnipeg Free Press "A teasingly complex book, The Stand-In combines the intellectual playfulness of a postmodern novel with the high drama of an old-fashioned whodunnit." --Kim Jernigan, The New Quarterly

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