Part I. Teaching and Learning
1. Transferable Pedagogical Concepts (Kristen Pellegrino)
2. Learning to Teach: Preservice Teacher Experiences (Kristen
Pellegrino & Cynthia L. Wagoner)
3. How Students Learn (Kristen Pellegrino & Cynthia L. Wagoner)
4. Proactive and Reactive Classroom Management Strategies (Kristen
Pellegrino)
5. Teaching Executive Skills, Musical Skills, and Artistic Skills
(Stephen J. Benham)
6. Teaching Notation in Instrumental Music (Bryan Powell)
7. Planning (Lesson Planning and Curriculum) & Assessment (J. Si
MIllican)
8. Strategies for Planning, Building, and Managing Music Programs
(Kelvin D. Jones)
9. Student Motivation (Quincy C. Hilliard)
10. Technology in Instrumental Music Instruction (Bryan Powell)
11. Care, Communication, and Connection in Instrumental Learning
Spaces (Karin S. Hendricks & Tawnya D. Smith)
12. Peer-Assisted Learning in the Instrumental Music Ensemble (Erik
Johnson and Christina Herman)
13. Teaching Instruments to Students with Disabilities (Kimberly
McCord)
14. Teaching for Social Impact through Fluidity in the 21st Century
Instrumental Ensemble (William L Lake, Jr.)
15. Applications of Arranging and Transcribing for Ensembles
(Herbert Marshall)
16. Instrumental Substations: Rescoring for Small Bands and Limited
Instrumentation (Quincy C. Hilliard)
17. Advocating for the Arts: What Every Future Music Educator
Should Know (John L. Benham & Stephen J. Benham)
Part II. Popular Music and Non-Traditional
18. Pedagogical Considerations for Teaching Modern Band Students
(Bryan Powell)
19. Pedagogies for Teaching Ukulele Popular Music Education
(Christopher Cayari)
20. Pedagogies for Teaching Guitar in Popular Music Education
(Warren Gramm)
21. Pedagogies for Teaching Electric Bass in Popular Music
Education (Spencer Hale)
22. Pedagogies for Teaching Keyboard in Popular Music Education
(Letitia Stancu)
23. Pedagogies for Teaching Drum Set in Popular Music Education
(Mary Claxton)
24. Pedagogies for Teaching Vocalists in Popular Music Ensembles
(Kat Reinhert)
25. Culturally Relevant Pedagogy in Modern Band (Antonio Sauza)
Part III. Teaching Strings
26. Pedagogical Considerations for Teaching String Students
(Kristen Pellegrino)
27. Pedagogies for Teaching Right Hand to String Players (Kristen
Pellegrino and Joel Schut)
28. Pedagogies for Teaching Left-Hand Position, Intonation, and
Instrument Tuning to String Players (Erin M. Hansen and Kristen
Pellegrino)
29. Pedagogies for Teaching Shifting and Vibrato to String Players
(Kristen Pellegrino and Erin M. Hansen)
30. Building and Maintaining a Successful Orchestra Program
(Michael Hopkins)
31. Culturally Responsive Teaching in School Orchestras (James Ray,
Brian W. Kellum, & Karin S. Hendricks)
Part IV. Teaching Woodwinds
32. Pedagogical Considerations for Teaching Woodwind Students
(Cynthia L. Wagoner)
33. Pedagogies for Teaching Flute (Cassandra Eisenreich)
34. Pedagogies for Teaching Clarinet (Cynthia L. Wagoner & Asia
Muhaimin)
35. Pedagogies for Teaching Oboe (Alison Robuck)
36. Pedagogies for Teaching Bassoon (Robin Hochkeppel)
37. Pedagogies for Teaching Saxophone (Nathan Holder)
Part V. Teaching Brass
38. Pedagogical Considerations for Teaching Brass Students
(Benjamin Yates)
39. Pedagogies for Teaching Horn (Meryl Sole)
40. Pedagogies for Teaching Trumpet (Steven Cunningham)
41. Pedagogies for Teaching Trombone (Dunwoody Mirvil)
42. Pedagogies for Teaching Baritone/Tuba (Jennifer Jester)
43. Culturally Relevant Pedagogy in Band (Darrin Thornton)
Part VI. Teaching Percussion
44. Pedagogical Considerations for Teaching Teaching Percussion
Students (Virginia Davis and Daniel Smithiger)
45. Pedagogies for Teaching Pitched and Non-pitched Orchestral
Percussion (Virginia Davis and Daniel Smithiger)
46. Pedagogies for Teaching Latin Percussion (Aixa Burgos)
47. Pedagogies for Teaching Steel Pan and Steel Bands (David
Knapp)
Part VII. Ensemble Rehearsal Techniques
48. Modern Band Rehearsal Techniques (Scott Burstein)
49. Concert Band Rehearsal Techniques (Quincy C. Hilliard)
50. Jazz Band Rehearsal Techniques (Lonnie Easter II)
51. Marching Band Rehearsal Techniques (Kelvin D. Jones)
52. String and Orchestra Rehearsal Strategies (Joel Schut & Rebecca
B. MacLeod)
53. Mariachi Ensemble Rehearsal Techniques (Sergio Alonso)
54. Musical Theatre Pit Orchestra Preparation and Performance
(Herbert Marshall)
Bryan Powell is Assistant Professor of Music Education and Music
Technology at Montclair State University, where he teaches classes
in music technology and popular music. He also serves as the
Director of Higher Education for the non-profit organization Music
Will.
Kristen Pellegrino is Professor of Music Education (Strings) at the
University of Texas at San Antonio and President of the American
String Teachers Association (2020-2022). She teaches graduate
courses in research and psychological foundations of teaching and
learning, as well as undergraduate string education courses, and
supervises UTSA's String Project teachers.
Quincy C. Hilliard is Professor of Music, Composer in Residence,
and Heymann Endowed Professor at the University of Louisiana at
Lafayette. He teaches courses in composition and music education.
Dr. Hillard is also the author of numerous publications--including
several technique books--for wind band.
“A terrific textbook for instrumental methods classes and an
excellent resource for music education philosophies.” - Professor
Brian Gibbs, Sam Houston State University.
“This text is a bold approach to instrumental music education… The
focus on multiple perspectives is just what we need in music
education for the future.” - Professor John T. Hart, Jr., Keene
State College.
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