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Understanding Writing Blocks
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Table of Contents

Preface
1. Are Writing Blocks Real?
A Personal Problem?
What Blocks Are Not
Thought and Movement
Blocks Are Real Writing Problems
2. Product and Process
The Value of Privacy
Stage Fright in Rhearsal
What Are You Actually Doing?
The Phases of the Writing Process
3. Lines, Loops, and Delays
Making Lines Out of Loops
Euclidian Myths
Spiral Progress
Notwriting
4. Methods, Standards, and Premature Judgments
Many Right Ways
Whose Standards Are You Trying to Meet?
The Challenge of Governing Expectations
5. Transitional Blocks in Undergraduate Studies
Diagnostics
Developmental Blocks in the Transition to College
Facing the Necessity of Revision
Institutional Causes and Unfortunate Solutions
6. What Is Your Thesis?
Endless Introductions
What Writers Need
Liminality
Rhetorical Supports in the Sciences
7. Putting Writing in Its Place
Making the Next Move
Syntactic Block
Settling for Less
Gender, Time, and Space
8. Scholarly Production
Synopsis
A Hidden Category
Binge Writng Versus Moderation
Costs and Benefits
9. What Can You Do?
The Normality of Writing Blocks
The Reality of a Writing Block
What You Can Do
A Note to Teachers and Advisors
What Teachers Can Do
What Advisors Can Do
References
Index

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Reviews

" . . . fills a void in books about the complex craft of writing . . . debunks the notion that a particular personality type causes 'interference with movement through the writing process' . . . provide[s] a helpful diagnostic for writers, teachers, and advisors to use as a starting point for their own analyses or for those of writers who come to them for help. The advice [Hjortshoj] offers to MA or PhD candidates seems especially insightful."--Deborah Anne
Hooker, Issues in Writing, Fall/Winter 2001
"I've never seen a book like this one; it is both interesting and useful."--Rachel Hadas, Rutgers University, Newark
"Very good for an upper-level writing class because it focuses on problems that serious students experience."--Thad Cockrill, Southwest Tennessee Community College

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