Table of Contents

FOREWORD
ACKNOWLEDGMENTS
LENDERS TO THE EXHIBITION

1 THE USES OF PHOTOGRAPHY
2 "THERE WAS NO RADICALIZATION....IT WAS NORMAL FOR US"
3 VARIOUS SMALL ETHNOFICTIONS OF COASTAL CALIFORNIA
4 DOCUMENTS AND DOCUMENTARY

REMEMBERING RECORDING REPRESENTING
CHECKLIST OF THE EXHIBITION
SELECTED BIBLIOGRAPHY
CONTRIBUTORS
BOARD OF TRUSTEES
STAFF
INDEX
IMAGE CREDITS

About the Author

Jill Dawsey is Curator at the Museum of Contemporary Art San Diego. Prior to joining MCASD, she held curatorial posts at the San Francisco Museum of Modern Art and the Utah Museum of Fine Arts. Dawsey's recent exhibitions include Laugh-in: Art, Comedy, Performance (2015), Approximately Infinite Universe (2014), and The Smithson Effect (2011, for the UMFA). She received her PhD in art history from Stanford University and holds a BA from Bryn Mawr College.

Reviews

"This is a valuable introduction to the work of these individuals and, beyond that, a reasoned assessment of the nature and qualities of this aspect of an important art movement... Summing Up: Highly recommended." CHOICE