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Miasma
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Album: Miasma
# Song Title   Time
1)    Garden Gate More Info... 0:01
2)    She's in Love With Time More Info... 0:06
3)    Wild Mind More Info... 0:07
4)    Wild Afternoon More Info... 0:02
5)    Splendid Isolation More Info... 0:04
6)    The Earl of Walthamstowe More Info...
7)    The Newgate Wind More Info... 0:05
8)    Release Yourself More Info...
9)    Maybe More Info... 0:04
10)    Ride the Train of Thought More Info... 0:04
11)    Confusion Days More Info... 0:06
12)    Find My Way Home More Info... 0:05
13)    I Eat the Air More Info... 0:05
14)    Song from Room 13 More Info... 0:06
15)    Need All Your Loving More Info... 0:05
16)    High Wind in the Trees More Info... 0:05
17)    South Hampstead Rain More Info... 0:04
18)    Looks Like Rain (#1) More Info... 0:04
 
Album: Miasma
# Song Title   Time
1)    Garden Gate More Info... 0:01
2)    She's in Love With Time More Info... 0:06
3)    Wild Mind More Info... 0:07
4)    Wild Afternoon More Info... 0:02
5)    Splendid Isolation More Info... 0:04
6)    The Earl of Walthamstowe More Info...
7)    The Newgate Wind More Info... 0:05
8)    Release Yourself More Info...
9)    Maybe More Info... 0:04
10)    Ride the Train of Thought More Info... 0:04
11)    Confusion Days More Info... 0:06
12)    Find My Way Home More Info... 0:05
13)    I Eat the Air More Info... 0:05
14)    Song from Room 13 More Info... 0:06
15)    Need All Your Loving More Info... 0:05
16)    High Wind in the Trees More Info... 0:05
17)    South Hampstead Rain More Info... 0:04
18)    Looks Like Rain (#1) More Info... 0:04
 
Product Description
Product Details
Performer Notes
  • The Bevis Frond: Nick Saloman (various instruments).
  • Includes liner notes by Nick Saloman.
  • Nick Saloman's one-man band, the Bevis Frond, debuted in 1987 with the extremely limited edition pressing of its first LP, MIASMA. Containing 11 tracks (the 2001 re-issue of the record adds 7 illuminating bonus tracks recorded at the same period), the work remains a stunning debut. Saloman has said that he wanted to create music that he would enjoy, a combo of Hendrix, the Wipers, and the Byrds. But what is on MIASMA is so much more than the sum of those parts: Saloman proves equally adept at banging out a scorching guitar solo piece ("Wild Afternoon") and crafting pure psychedelic pop ("Splendid Isolation"). Recorded at home, the album holds a roughhewn charm without sounding compromised or weak. While it's a remarkable starting point, MIASMA offers a mere hint of the many excellent Bevis Frond records that Saloman would later issue.
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