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Disclaimer
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A fiercely tense and twisty debut thriller that will take your breath away.
Recommended read- For all fans of The Girl on the Train

About the Author

Renee Knight worked as a documentary-maker for the BBC before turning to writing. Disclaimer is her first novel.
She is married with two children.

Reviews

An addictive novel with shades of Gone Girl
*Sunday Times*

Disclaimer plunges us into our worst nightmare -- somebody knows our darkest secret, and they're sharing it . . .
*Val McDermid*

Renee Knight's DISCLAIMER is something special . . . an outstandingly clever and twisty tale that's been perfectly engineered to make heads spin
*New York Times*

Renee Knight's DISCLAIMER is something special . . . an outstandingly clever and twisty tale that's been perfectly engineered to make heads spin
*New York Times*

Sensationally good psychological suspense … exactly what a great thriller should be
*LEE CHILD*

An enthralling thriller
*Heat*

Will this actually be the next Gone Girl? Well . . . it doesn't disappoint . . . The narrative is elegantly written . . . a maelstrom of appalling revelations and twists, certainly very clever and entertaining
*Daily Mail*

Will this actually be the next Gone Girl? Well . . . it doesn't disappoint . . . The narrative is elegantly written . . . a maelstrom of appalling revelations and twists, certainly very clever and entertaining
*Daily Mail*

Poised to establish herself as a big name
*Telegraph*

A really clever twist . . . superior fodder for your summer hols
*Evening Standard*

Prepare to cancel all other commitments
*Stylist*

Superb debut . . . Knight paces the novel beautifully
*The Times*

You may as well just surrender now and read it and enjoy it because it's not going to go away - and deservedly so
*BBC Radio 2 Arts Show*

If it's a creepy read you're after, look no further
*Good Housekeeping, Thriller of the Month*

DISCLAIMER stealthily steals your attention and by the end holds you prisoner - a searing story that resonates long after the final page. The best thriller I’ve read this year
*ROSAMUND LUPTON, bestselling author of Sister*

An intelligent and twisty thriller
*Elle*

A terrific novel with a brilliantly creepy central premise. One of the best debut thrillers I have ever read
*PAULA DALY*

Assured debut novel . . . strong and compelling portrait of two individuals who are forced to confront unpalatable, even unbearable, truths.
*Guardian*

Fabulously gripping, I just could not put it down.
*MARIAN KEYES*

Tense and shocking, and full of twists and turns
*Booktime*

A genuinely original debut novel, nail-bitingly tense and chilling
*Irish Independent*

Renee Knight skilfully peels away the layers of her story to reveal a tale that is dark, deep and skin crawlingly sinister. I thought it was faultless, a masterclass in thriller writing.
*Colette McBeth*

I read Disclaimer in two sittings . . . It's that good. . . The premise is the star of the show but Knight's success lies in keeping her plot, characterisation and unpredictability up to that same standard.
*Daily Express*

A fine example of the genre . . . unbearably tense
*Sunday Express*

An unsettling page-turner of The Girl on the Train variety that wil live on in readers' imaginations
*Grazia*

A faultlessly constructed, page-turning debut, Disclaimer delivers its twists and surprises with ease. It is both clever and moving, and I'm full of admiration.
*JOANNA BRISCOE*

It's Disclaimer that turns out to be the Gone Girl of the season
*New York Times*

An ingenious and involving tale and a very successful first novel
*Literary Review*

Fiendishly clever
*Daily Mail*

Renee Knight's stunning debut is a thriller with a particularly literary flavour, but also with a heart. Best enjoyed slowly, with no skipping to the heart-wrenchign conclusion. Terrific.
*Saga Magazine*

A deeply probing, intense psychological thriller that was gripping and very difficult to put down
*Huffington Post*

Disclaimer forms a trinity alongside Gone Girl and The Girl on the Train as the best of domestic noir . . . Disclaimer will be climbing the bestseller list
*New York Daily News*

An original plot, well-paced to its unexpected climax
*The Times*

An original plot, well-paced to its unexpected climax
*The Times*

A highly assured debut novel with a cracking premise . . . a remarkable well written page turner
*Euro Crime*

A superior piece of dark emotional fiction that will get under your skin.
*Sainsburys magazine*

Plunges us into our worst nightmare - somebody knows our darkest secret, and they're sharing it
*Val McDermid*

A finely crafted puzzle box
*Spectator*

A brilliant premise, superbly executed. I love this book
*CLARE MACKINTOSH, author of I LET YOU GO*

fantastic - was absolutely gripped. Great idea, could not put it down.
*Tweet from Lucy Diamond*

Disclaimer is a real one-nighter
*Tweet from Polly Samson*

It's knockout
*Tweet from Claudia Winkleman*

The marvel of the new suspense novel “Disclaimer” is that it lives up to its unusually gripping premise.
Disclaimer forms a trinity alongside “Gone Girl” and the “The Girl on the Train” as the best of domestic noir. That this is a first novel from Renee Knight, a British television screenwriter, makes her sure hand with what’s sinister that much more stunning.
*New York Daily News*

A sensational psychological thriller
*Jackie Collins*

excellent debut
*KATE MOSSE, Guardian*

excellent debut
*KATE MOSSE, Guardian*

This bestseller is definitely one of the best thrillers of 2015.
*Marie Claire*

More original and sophisticated than your average psychological thriller, Renée Knight's DISCLAIMER is an accomplished and addictive tale.
*Sunday Times*

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